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Book Details

Rising Sun

85.7% complete
1992
Unknown
Never (or unknown...)
Adventure stories
Business intelligence - Fiction
Corporations, Japanese - California - Los Angeles - Fiction
Corporations, Japanese - Los Angeles - Fiction
Detective and mystery stories
Industries - Japan - Fiction
Los Angeles (Calif.) - Fiction
Police - California - Los Angeles - Fiction
Police - Los Angeles - Fiction
See 10
Transcripts
First Night
Multiple unnumbered chapters
Second Day
Multiple unnumbered chapters
Second Night
Multiple unnumbered chapters
Third Day
Multiple unnumbered chapters
Transcripts
Book Cover
Has a genre Has an extract In my library 
14124
No series
Copyright © 1992 by Michael Crichton
To my mother,
Zula Miller Chrichton
Actually, I was sitting on my bed in my apartment in Culver City, watching the Lakers game with the sound turned off, while I tried to study vocabulary for my introductory Japanese class.
May contain spoilers
I'm still waiting.
No comments on file
Extract (may contain spoilers)
Connor stood at the pay phone in the lobby.  It was one of those new standing booths that has two receivers, one on either side, allowing two people to talk on the same line at once.  These booths had been installed in Tokyo years ago, and now were starting to show up all over Los Angeles.  Of course, Pacific Bell no longer was the principal provider of American public pay phones.  Japanese manufacturers had penetrated that market, too.  I watched Connor write down the phone number in his notebook.

"What are you doing?"

"We have two separate questions to answer tonight.  One is how the girl came to be killed on an office floor.  But we also need to find out who placed the original call, notifying us of the murder."

"And you think the call might have been placed from this phone?"

"Possibly."

He closed his notebook, and glanced at his watch.  "It's late.  We better get going."

"I think we're making a big mistake here."

"Why is that?" Connor asked.

"I don't know if we should leave the tapes in that security room.  What if somebody switches them while we're gone?"

"They've already been switched," Connor said.

"How do you know?"

"I gave up a perfectly good pen to find out," he said.  "Now come on."  He started walking toward the stairs leading down to the garage.  I followed him.

"You see," Connor said, "when Phillips first explained that simple system of rotation, it was immediately clear to me that there might have been a switch.  The question was how to prove it."

His voice echoed in the concrete stairwell.  Connor continued down, taking the steps two at a time.  I hurried to keep up.

Connor said, "If somebody switched the tapes, how would they go about it?  They would be working hastily, under pressure. They'd be terrified of making a mistake.  They certainly wouldn't want to leave any incriminating tapes behind.  So probably they'd switch an entire set, and replace it.  But replace it with what?  They can't just put in the next set.  Since there are only nine sets of tapes all together, it would be too easy for someone to notice that one set was missing, and the total was now eight.  There would be an obvious empty drawer.  No, they would have to replace the set they were taking away with an entirely new set.  Twenty brand-new tapes.  And that meant I ought to check the trash."

"That's why you threw your pen away?"

"Yes.  I didn't want Phillips to know what I was doing."

"And?"

"The trash was full of crumpled plastic wrappers.  The kind that new video tapes come wrapped in."

"I see."

"Once I knew the tapes had been replaced, the only remaining question was, which set?  So I played dumb, and looked in all the drawers.  You probably noticed that set C, the set Phillips removed when he came on duty, had slightly whiter labels than the other sets.  It was subtle, because the office has only been active two months, but you could tell."

"I see."  Somebody had come into the security room, taken out twenty fresh tapes, unwrapped them, written new labels, and popped them into the video machines, replacing the original tapes that had recorded the murder.

I said, "If you ask me, Phillips knows more about this than he was telling us."

"Maybe," Connor said, "but we have more important things to do.  Anyway, there's a limit to what he knows.  The murder was phoned in about eight-thirty.  Phillips arrived at quarter to nine.  So he never saw the murder.  We can assume the previous guard, Cole, did.  But by a quarter of nine, Cole was gone, and an unknown Japanese man was in the security room, closing up a briefcase."

"You think he's the one who switched the tapes?"

 

Added: 16-Aug-2024
Last Updated: 15-Sep-2024

Publications

 01-Feb-1992
Alfred A. Knopf
Hardback
In my libraryOrder from amazon.comHas a cover imageBook Edition Cover
Date Issued:
Cir 01-Feb-1992
Format:
Hardback
Cover Price:
$22.00
Pages*:
345
Cover Link(s):
Internal ID:
43723
Publisher:
ISBN:
0-394-58942-4
ISBN-13:
978-0-394-58942-8
Printing:
4
Country:
United States
Language:
English
Credits:
Melissa Hayden - Cover Photograph
Chip Kidd - Jacket Design
Front flap:

On the forty-fifth floor of the Nakamoto Tower in downtown L.A. - the new American headquarters of the immense Japanese conglomerate - a grand opening celebration is in full swing.

On the forty-sixth floor, in an empty conference room, the dead body of a beautiful young woman is discovered.

The investigation begins... and immediately becomes a headlong chase through a twisting maze of industrial intrigue... a no-holds-barred conflict in which control of a vital American technology is the fiercely coveted prize - and the Japanese saying "business is war" takes on a terrifying reality.

Fast.  Furious.  Riveting.  Rising Sun delivers the unique Crichton mix - breathtaking suspense and cutting-edge technology - at its most explosive.

A BOOK-OF-THE-MONTH CLUB
MAIN SELECTION


Back flap:

Michael Crichton was born in Chicago, in 1942.  He was educated at Harvard College and the Harvard Medical School, and in 1969 was a postdoctoral fellow at the Salk Institute in La Jolla, California.  His novels include The Andromeda Strain, The Terminal Man, The Great Train Robbery, Eaters of the Dead, Congo, Sphere, and Jurassic Park.  He is the author of four works of nonfiction: Five Patients, Jasper Johns, Electronic Life, and Travels.  Among the films he has directed are Westworld, Coma, and the movie version of his own The Great Train Robbery.  In 1988 he was Visiting Writer at the Massachusetts Institute of Technology.

Front-of-jacket photograph by  Jacket design by Chip Kidd
Cover:
Book CoverBook Back CoverBook Spine
Notes and Comments:
Published February 11, 1992
Reprinted Twice
Fourth Printing, Februrary 1992
Canada: $28.00
Image File
01-Feb-1992
Alfred A. Knopf
Hardback

Related

Author(s)

 Michael Crichton
Birth: 23 Oct 1942 Chicago, Illinois, USA
Death: 04 Nov 2008 Los Angeles, CA, USA

Notes:
From the back flap of Rising Sun:

Michael Crichton was born in Chicago, in 1942.  He was educated at Harvard College and the Harvard Medical School, and in 1969 was a postdoctoral fellow at the Salk Institute in La Jolla, California.  His novels include The Andromeda Strain, The Terminal Man, The Great Train Robbery, Eaters of the Dead, Congo, Sphere, and Jurassic Park.  He is the author of four works of nonfiction: Five Patients, Jasper Johns, Electronic Life, and Travels.  Among the films he has directed are Westworld, Coma, and the movie version of his own The Great Train Robbery.  In 1988 he was Visiting Writer at the Massachusetts Institute of Technology.

Awards

No awards found
*
  • I try to maintain page numbers for audiobooks even though obviously there aren't any. I do this to keep track of pages read and I try to use the Kindle version page numbers for this.
  • Synopses marked with an asterisk (*) were generated by an AI. There aren't a lot since this is an iffy way to do it - AI seems to make stuff up.
  • When specific publication dates are unknown (ie prefixed with a "Cir"), I try to get the publication date that is closest to the specific printing that I can.
  • When listing chapters, I only list chapters relevant to the story. I will usually leave off Author Notes, Indices, Acknowledgements, etc unless they are relevant to the story or the book is non-fiction.
  • Page numbers on this site are for the end of the main story. I normally do not include appendices, extra material, and other miscellaneous stuff at the end of the book in the page count.






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