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Book Details

Sharra's Exile

78.6% complete
Copyright © 1981 by Marion Zimmer Bradley
1981
Science Fiction
Unknown
Never (or unknown...)
See 22
Prologue - The Second Year of Exile
Book One - The Exile
1 - Darkover: the third year of exile
2 - Vainwal: Terran Empire Fifth year of exile
3 - Lew Alton's narrative: Vainmall: sixth year of exile
Book Two - The Form of Fire
1 - Darkover. The end of exile
2 - Lew Alton's narrative
3
4 - Lew Alton's narrative
5
6 - Lew Alton's narrative
7
8 - Lew Alton's narrative
9
10 - Lew Alton's narrative
Book Three - The Hastur Gift
1
2 - Lew Alton's narrative
3
4 - Lew Alton's narrative, concluded
Epilogue
Book Cover
Has a genre Has comments Has an extract In my library In a series 
14187
 Darkover*
#15 of 34
Darkover*     See series as if on a bookshelf
A series of science-fantasy novels and short stories by Marion Zimmer Bradley

5) Winds of Darkover
7) Darkover Landfall
11) The Forbidden Tower
13) Two to Conquer
15) Sharra's Exile
16) Hawkmistress!
18) Thendara House
   To Walter Breen, whose knowledge of the Darkover universe is "extensive and peculiar" and to our son Patrick Breen, who read this page by page as it emerged from the typewriter, sometimes actually reading it over my shoulder as I wrote, in his eagerness to find out what happened next.
   Thanks!
This was the home of my ancestors.
May contain spoilers
The last light faded from the sky, and the great ship, outward bound into the Empire, was only a star among a hundred thousand other stars.
Comments may contain spoilers
Chapter two of book one appeared, in a slightly different form, as a short story entitled "Blood Will Tell" in The Keeper's Price published by DAW.
Extract (may contain spoilers)
I thought I had forgotten how to be happy.

And yet, that year on Vainwal, I was happy.  The planet is more than the decadent city of the pleasure world.  Perhaps we would have left it altogether - though not, perhaps to return to Darkover - but my father found the climate beneficial to his lameness, and preferred to stay in the city where he could find hot springs and mineral baths, and sometimes I suspect, companionship he could tolerate.  I've wondered sometimes, about that; but, close as we were, there are some things we could not - quite - share, and that was one area of itchy privacy I tried, hard, to stay away from.  I suppose it's hard enough with ordinary sons and their fathers.

When both father and son are telepaths, it becomes even more difficult.  During my years in Arilinn, working in the telepathic relays as a matrix mechanic, I had learned a lot about privacy, and what it has to be when all around you are closer than your own skin.  There used to be an old taboo preventing a mother and her grown son from working in the relays at the same time; or a father and his nubile daughter.  My father could mask his thoughts better than most.  Even so, I described that sort of thing, once, to somebody, as living with your skin off.  During these years of exile, we'd been so close that there were times when neither of us was sure which thought belonged to whom.  Any twto. solitary men are going to get on each other's nerves from time to time.  Add to that the fact that one of them is seriously and at least (let me not pass too lightly over this) intermittently insane, and it adds another turn of the screw.  And we were both extremely powerful telepaths, and there had been long periods of time when I had no control over what I was sending.  By the time I was even halfway sane again there were long periods of time where there was at least as much hate as there was love.  We had been too close, too long.

Not the least of what I had to be grateful to Dio for was this; that she had broken that deadlock, broken into that unhealthy over-preoccupation with one another's every hought.  If we had been mother and son, father and daughter, brother and sister, at least there would have been a taboo we could break.  For a father and son there was no such dramatic exit from the trap; or it seemed to us that there was not, though I cannot swear it never entered either of our minds.  We were both old enough to make such a decision, we were away from the world which had ingrained such taboos, and we were alone together in an alien universe, among the head-blind who would neither know nor care what levels of decadence we might choose to explore.  Nevertheless, we let it alone; it was, perhaps, the only thing we never tried to share, and I think it may have been the only way we kept our sanity.

My father was quickly enchanted with Dio, too, and I think he was genuinely grateful to her; not least because she had come between our unhealthy preoccupation with one another.  Yet, glad as he was to have some degree of freedom from my constant presence and to be free of fears for my continued sanity (and, though he had shielded them carefully from me, I was always aware of it, and a man watched constantly for signs of insanity will doubt his own sanity the more), the coming of Dio had left him alone.  He could not admit his helplessness; Kennard Alton never would.  Yet daily I saw him growing worse, and knew that a time would come, even if it had not come yet, when he needed me.  He had always been there when I needed him, and I would not leave him alone, a prey to age and infirmity.  So Dio and I found a home at the edge of the city, where he could call upon us when he needed us, and in the overflow of our own happiness, it was easy enough to spare him some time for companionship.

 

Added: 31-Oct-2024
Last Updated: 06-Dec-2024

Publications

 01-Oct-1981
DAW Books
Mass Market Paperback
In my libraryOrder from amazon.comHas a cover imageBook Edition Cover
Date Issued:
Cir 01-Oct-1981
Format:
Mass Market Paperback
Cover Price:
$2.95
Pages*:
365
Catalog ID:
UE1659
Pub Series #:
452
Internal ID:
43895
Publisher:
ISBN:
0-879-97659-4
ISBN-13:
978-0-879-97659-0
Printing:
1
Country:
United States
Language:
English
Credits:
Hannah M G Shapero  - Cover Artist
,b>Marion Zimmer Bradley


The most dangerous matrix on all Darkover was the legendary Sharra.  Embodied in the image of a chained woman, wreathed in flames, it was the last remaining weapon of the Age of Chaos that had almost destroyed civilization on the planet of the Bloody Sun.

The Sharra had been exiled off-planet among the far stars of the Terran Empire in the custody of Lew Alton... until he found himself called back to his homeworld to contest his rights.

But once the Sharra was back, the flaming image spread far and wide - and set in motion events that were to change the land, the domains, and the future of Darkover forever.
Marion Zimmer Bradley has written what may be her most powerful and unforgettable novel of Darkover.  A direct sequel to The Heritage of Hastur, it is a novel of love and hate, courage and horror, and the conflict of worlds.

A DAW BOOKS ORIGINAL
NEVER
BEFORE IN PAPERBACK
Cover:
Book CoverBook Back CoverBook Spine
Notes and Comments:
First Printing, October 1981
First printing based on the number line
Image File
01-Oct-1981
DAW Books
Mass Market Paperback

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*
  • I try to maintain page numbers for audiobooks even though obviously there aren't any. I do this to keep track of pages read and I try to use the Kindle version page numbers for this.
  • Synopses marked with an asterisk (*) were generated by an AI. There aren't a lot since this is an iffy way to do it - AI seems to make stuff up.
  • When specific publication dates are unknown (ie prefixed with a "Cir"), I try to get the publication date that is closest to the specific printing that I can.
  • When listing chapters, I only list chapters relevant to the story. I will usually leave off Author Notes, Indices, Acknowledgements, etc unless they are relevant to the story or the book is non-fiction.
  • Page numbers on this site are for the end of the main story. I normally do not include appendices, extra material, and other miscellaneous stuff at the end of the book in the page count.






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